<p style="text-align: center;"><strong>UNCLE ACID & THE DEADBEATS</strong></p><p style="text-align: center;">UK psychedelic heavyweights Uncle Acid & The Deadbeats return to Australia and New Zealand this December, bringing their dark, hypnotic live show to stag
<p style="text-align: center;"><strong>UNCLE ACID & THE DEADBEATS</strong></p><p style="text-align: center;">UK psychedelic heavyweights Uncle Acid & The Deadbeats return to Australia and New Zealand this December, bringing their dark, hypnotic live show to stages across the country.</p><p style="text-align: center;">The brainchild of Kevin Starrs, Uncle Acid & The Deadbeats have spent over a decade carving out a singular space within the global heavy music landscape. Since emerging in 2009 from the depths of the British underground, the band have built a reputation for their unmistakable fusion of warped psychedelic pop, downer blues and doom-metal intensity.</p><p style="text-align: center;">Too bold and idiosyncratic to be easily defined, Uncle Acid’s sound is steeped in haunting melodies, layered vocal harmonies and eerie, cinematic arrangements, offset by crushing riffs and a persistent sense of unease. It’s a sonic world that feels both deeply nostalgic and completely otherworldly, cementing Uncle Acid & The Deadbeats as one of the most compelling live acts in contemporary rock.</p><p style="text-align: center;">With their last visit to our shores in 2020, Australian audiences can expect a set that traverses the band’s cult catalogue, delivered with the immersive intensity that has made them a must-see worldwide.</p>
Uncle Acid & The Deadbeats performs live in Adelaide, Australia on Sunday, December 6, 2026 at Lion Arts Factory. Doors typically open 60–90 minutes before showtime. Official tickets are available below — buy only from verified sources to avoid resale fraud.
Setlists shift across the tour. Uncle Acid & The Deadbeats tours usually run 90–120 minutes including encore. Check setlist.fm right before the show for the most recent show's order.
